Joseph Kosinski’s “F1: The Movie” is an electrifying blend of breakneck racing and grounded human storytelling. Taking cues from the likes of Top Gun: Maverick with its “veteran returns” framework, the film manages to find its own gear by diving deep into the culture, pressure, and spectacle of Formula One — evoking the energy of Netflix’s Drive to Survive but with cinematic flair.
Bringing the rush of Formula One to the big screen, “F1” is a visual and emotional feast. Directed by the ever-stylish Joseph Kosinski and produced by blockbuster veteran Jerry Bruckheimer, the film offers more than just fast cars. It explores ambition, legacy, and the personal cost of greatness with surprising nuance. Though the storyline may feel familiar to motorsport fans, its execution — bolstered by real F1 footage and immersive sound design — offers a thrilling new perspective, especially when experienced in IMAX.
Performances
Brad Pitt leads the film as Sonny Hayes, a retired F1 icon drawn back for one final race season. Pitt embodies Hayes with the weathered charisma of a seasoned racer, portraying a man chasing adrenaline more than redemption. His performance evokes classic leading men like Steve McQueen, offering a balance of charm and introspection.
Damson Idris plays Joshua Pearce, the rising star and Hayes’ teammate-turned-rival. Idris captures the energy of a new generation, grappling with fame, expectations, and proving his worth. Their relationship evolves compellingly from initial tension to mutual respect, anchoring the film emotionally. Javier Bardem delivers a strong turn as Ruben, the team’s financially struggling owner, while Kerry Condon shines as Kate, the brains behind the car’s tech. A brief but powerful cameo by Lewis Hamilton adds credibility and subtly addresses diversity in motorsports.
Direction
Kosinski proves once again that he’s a master of immersive action. Working with screenwriter Ehren Kruger and cinematographer Claudio Miranda, he crafts race scenes that are both grounded and thrilling. The film was shot during actual Grand Prix events over a year and a half, using real F1 cars — a level of realism reminiscent of Grand Prix (1966). Rather than relying on flashy cuts, Kosinski keeps the camera focused, letting the tension build naturally. He captures the delicate balance between personal ambition and team strategy that defines Formula One, turning each lap into a narrative milestone.
Technical Side
The technical side of “F1: The Movie” is nothing short of top-tier. Claudio Miranda’s cinematography is dazzling, offering sweeping shots of global circuits, sleek car designs, and pulse-pounding racing moments. Innovative camera angles — including shots from the driver’s POV — make viewers feel like they’re inside the cockpit. Visual effects are used sparingly and effectively, enhancing rather than overwhelming the action. The production design is sleek and high-tech, reflecting the precision and style of the sport itself.
Music and Sound
Hans Zimmer’s score delivers exactly what you’d expect: grandeur, intensity, and emotion. His compositions boost both the kinetic energy of the races and the film’s quieter, character-driven moments. Meanwhile, the sound design adds a visceral layer — from the thunderous roar of engines to the crisp clatter of pit stops — making it an auditory powerhouse and an ideal IMAX showcase.
Overall
While “F1” doesn’t reinvent the sports drama formula, its heartfelt storytelling, stunning realism, and first-rate performances make it a standout in the genre. It offers the adrenaline of a racing sim with the depth of a character study — thrilling enough for petrolheads, and resonant enough for anyone reflecting on ambition, aging, and legacy. With its unmatched authenticity and cinematic polish, this is a motorsport film that earns its place on the podium.